Interview with Max Haiven
art after money, money after artInterview with Max Haiven
art after money, money after artSamenvatting
Conducted for the 2019 Venice Bienale catalogue of the Romanian pavillion, in particular Canal Grande: The Capital Pool and the Associated Public of Dan Mihaltianu, curated by Cristian Nae. The work “functions at first sight as a wishing well. It establishes an autonomous art fund and invites the visitors to self-organize and to decide on the utilization of the capital raised during the exhibition via capitalpool.net, proposing an artistic formula for exercising direct democracy.”
Organisatie | Hogeschool van Amsterdam |
Jaar | 2019 |
Type | Andersoortig materiaal |
Taal | Engels |